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NAWCC Bulletin
December 2001 Volume 43/6 Number 335
Table of Contents


This issue's online featured article is : Those Who Left a Trace: Several Stories of Women Who Worked in Timekeeping Trades, by Donn Haven Lathrop

ARTICLES

Some Things to Look For When Buying a Pocket Watch, by Gordon A. Lange731
Beha Clocks In the Black Forest Manner, by Richard Mühe and Beatrice Techen739
The Bronnikov Dynasty, by Theodore R. Crom746
The Waterbury Hall Chime Clock No. 801: Evolution of Waterbury's Weight-Driven Quarter-Chiming Clocks, by Robert D. Psurny755
Those Who Left a Trace: Several Stories of Women Who Worked in Timekeeping Trades, by Donn Haven Lathrop767
English Fusee Wall Clocks, by David Bryon772
William A. Terry and his Patent Calendar Mechanisms, by A. Lee Smith777
A Rare Residential Tower Clock, by Henry Gerlach782

FEATURES

NAWCC Donor Recognition Listing724
Book Reviews730
The 2001 NAWCC Crafts Contest Winners735
The NAWCC School of Horology754
Obituaries783
Practical Repair and Restoration784
Vox Temporis786
The National Watch and Clock Museum®791
Research Activities and News793
The Answer Box805
The Railroader's Corner810
Chapter Highlights820
Chapter Officers845
NAWCC Staff and Committees848
Dates to RememberCover 3

 

About the Cover

The front cover features a privately owned wall clock of the type discussed in this month's article on Beha clocks. Made by Johann Baptist Beha, of Eisenbach, this clock is in the "Railroad-hut (Bahnhäuschen)" style with cuckoo. Features include a walnut housing with filigree inlay and partly carved, partly sawn leaf ornamentation, an oil painting on a metal insert, and an enameled dial face. The railroad-hut style is related to the mid-1840 designs by Friedrich Eisenlohr of the official buildings of the Baden State Railway (as described by Helmut Kahlert in his October 2001 Bulletin article). Instead of the better-known decorative style with woodcarving in naturalistic leaf and woodland motifs, here the cabinetmaker utilized a painted sheet-metal insert. The scene depicts the encounter of a woodcutter (garbed in folk-dress typical of the region near Baare: "Baaremer Tracht") with a game warden and his dog at wood's edge. The encounter evidently involves some sort of advertisement directed towards the woodcutter. The motif is a modification of a sketch by Heinrich Frank, which he published as a pattern sheet for clock painters in 1850-51. Here the door for the cuckoo is not quite truly integral to the activity depicted in the painting.

Photo courtesy Stadt Eisenbach/Schwarzwald

Last Updated:  March 14, 2005  

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