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Good performance for low wages was the most important reason why the
number of women in the clockmaking industry steadily increased. Financially,
women were discriminated against in three ways. First, the best-paid
technical jobs for workers were held by learned mechanics, precision
mechanics, and clockmakers, who had worked three or four years as
apprentices. But women and girls had, for a long time, no chance of being
admitted to this kind of qualifying training. By 1930 or so, girls were
finally admitted into clockmaking apprenticeships, but very few in fact
became apprentices.
Secondly, work done by men or women with the same qualifications was paid
differently. According to a collective agreement in 1936, an unskilled male
adult could earn 0.55 to 0.66 marks per hour, while a female worker earned
0.39 to 0.47 marks, 29 percent less. Thirdly, and this was the most
important factor, men started from a higher level. Their better
qualifications from their training on the job were rewarded with higher
wages. Women, on the other hand, were kept in bottom-wage groups no matter
the time spent on their jobs. Many certainly had the qualifications for, at
least, semi-skilled labor. A striking example was recorded in Badenian clock
factories in 1903:
Percentage in wage groups:
| |
Low |
Medium |
High |
| Male workers |
20% |
49% |
31% |
| Female workers |
98% |
2% |
- |
Another example, from 1950, in the Baden-Württem-berg clock and watch
factories:
| |
Unskilled |
Semi-skilled |
Skilled |
| Male workers |
14% |
38% |
48% |
| Female workers |
52% |
36% |
12% |
All of these discriminating practices were slowly modified in the
twentieth century, but never abolished.
The Industry in Contemporaneous Media
Many photos have been published showing women at work in clock and watch
factories, in front of a punching machine, or in assembly lines. Some of
these pictures were made for advertisements and portray carefully posed
happy girls in clean workplaces. In addition, there were millions of
realistic snapshots, but most of these no longer exist. The illustrations
for this article come from a period before photos made up a major portion of
images in widely distributed publications.
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Figure 2. Title page of an idyllic novel for young Catholics. Many
editions were published between 1840 and 1880. Cooperation in the workshop
strengthened family ties. Steel engraving, about 1840. |
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Figure 3. Workshop of a Black Forest clockmaker. A visitor stands
behind the girl, who is no doubt involved in production. Wood engraving, G.
Arnould, 1874. |
Lithographic prints and steel and wood engravings were in vogue in the
nineteenth century. These printmaking forms were the usual means of
transferring artwork to print. The name of the painter would appear on one
side, the name of the engraver on the other. Pirated editions were common,
therefore, it is difficult for a collector to discover who the artists were
and where the engraving was first published.
Some painters were interested in Black Forest clockmaking. Many
illustrations included women—a picturesque addition to a serious subject. An
often published picture of this type (Figure 1) deals with the production of
musical clocks in Neustadt. The artist has placed in the center of the
illustration a young mother in traditional Black Forest costume, but
obviously she is a visitor and not a co-worker. Another well-known theme
shows a young woman customer asking an old master for advice (see front
cover).
The author could only find two pictures that show females taking part in
clock production; a steel engraving from 1840 (Figure 2), and an 1874 wood
engraving (Figure 3). A lithographic print of 1855 shows a young woman
painting a dial (Figure 4). Similar illustrations follow (Figures 5 and 6).
Two oil paintings of female clockmakers continue the sequence (Figures 7 and
8). And, as mentioned earlier, a Black Forest 8-day clock signed Nothburga
Eschle on the back plate and shield is shown in Figures 9 and 10.
This article is a first attempt to deal with a complex subject that has
obviously not been studied in depth. There is no doubt that women’s work was
essential for Black Forest clockmaking. In the cottage industry period,
female labor was considered a self-evident contribution to family welfare,
and was not defined or evaluated. Later factory records show what has
previously been hidden—women and girls were a big part of the clockmaking
work force. But records of wages paid are not adequate indicators of their
level of participation in industrial development or their influence on
productivity. The many thousands of female workers and employees in clock
and watch factories worldwide deserve more recognition and appreciation.
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