The National Watch and Clock Museum
  Changing Exhibit Gallery #2

"Pillar & Scroll Clocks"

November 2006 to May 31, 2007

Exhibit openings photos

Pillar and Scroll

The story of the pillar and scroll clock began as a result of one man’s ingenuity. Eli Terry, a nineteenth-century Connecticut clockmaker revolutionized the clockmaking business. Terry’s entrepreneurial spirit introduced clockmakers to a system of mass production and interchangeable parts. His development of the wooden shelf clock would change not only the production of clockmaking but also the system of selling and buying clocks. Terry paved the way for other entrepreneurs to create their own unique version of this shelf clock. This exhibit highlights these stylized clocks, their origins, decorations, and the entrepreneurs who made and sold them.

Dial and Reverse Glass Painting

The dials and reverse paintings on pillar and scroll clocks were painted by single women and girls who resided in the homes of the clockmakers. One girl could make about 1,000 paintings or dials per year. Some clockmakers had as many as 12 employees living in their homes. This living arrangement was required because the clockmaker owned the gold, glass, wood plates, and oil paints to decorate the clock.

As more factories opened the quantity of painted tablets could not be obtained, so veneer panels and mirrors began to be used. Also stenciling began to be used for the border to reduce cost and increase output.

Before Eli Terry’s invention of the shelf clock, dials were painted in Connecticut by older women, with decorations appropriate to the quality of the tallcase clock. Cases would be made by a joiner hired by either the clockmaker or buyer. Thus, there was considerable variation in the case style and quality. At this time reverse glass paintings were made to decorate the top of framed looking glasses (mirrors).

Terry’s idea for his original clock was to have it housed in a plain box with the dial painted on the back of the glass. He soon moved from this simple inexpensive clock style to a much more elaborate style with painted and gilded dials and reverse glass tablets with gold borders. These changes added much appeal for the buyer. Clocks in the 1820s served as a status symbol, rather than a timepiece. There was little need to know what time it was, as workers toiled from sunup to sundown with a break at noon.

Terry’s first clock, Model No. 1, was produced in limited numbers, and all dials were probably produced by a female member of the family. As the production numbers increased toward 2,000 per factory by 1822, young female workers were added.

Roman numerals were frequently used on the dials, rather than Arabic numerals, because less skill was required to paint them. In all instances the clockmaker was attempting to make his clock visually appealing to help sell it at the lowest possible cost.

 

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Last Updated:  April 25, 2007 
Copyright © 2005 National Association of Watch and Clock Collectors